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Friday, February 26, 2010
PRINCE Vinay Building a Show and Becoming a Heckler
The first thing I want to deal with is Building Your Own Show. An idea for this came from a video I saw of Eugene Burger, where he said, and I quote: "Many magicians are very busy just trying to imitate other magicians. Trying to imitate the DVD they saw. The question I would like you to take home with you is, 'What do I want my magic to be?'"
And hearing that, I thought about all the magicians imitating other ones, even processionals. Then, I think about all the completely original magicians, that actually care enough about their work to do their best to continue making magic, in a word, 'real'. You need to find the deeper message in your magic.
Like the linking rings. Yes, it might mean two (or more) solid rings link together, and come apart. But deeper than that. It can mean two separate objects or beings can come together and join as one. Or you can have your linking ring routine resemble perseverance - anything to make it your own.
Thousands of magicians perform the linking rings in their routines, but every magicians routine is different. If Pen and Teller do linking rings, it will be a comedy act (most likely). But if Eugene Burger, or if Vernon were to do linking rings, it would most likely resemble two forces joining as one, or two beings finding each other in 'perfect harmony' so to speak.
So when you create your show, you need to find your deeper meaning. Magic is the art of transformation, and you need to find your original way of transforming something ordinary to something out of this world.
One last example I would like to use is something most of you are aware of, it is Jeff McBride's '
I am fascinated with masks. The expressions of all different masks, actually seems as if it is real. And they are so unique in magic, Jeff has made them his own, but of course there is the 'deeper meaning' that the masks really represent. And what Jeff once said was that his Mask routine comes from his early years when he used to be a Mime, and he always had his white makeup on. He tried to get rid of it, but everyone told him not to because that was his 'thing' or his 'brand', but he didn't like the white face. So the routine comes from him trying to break free, and get rid of the masks, but he can never get rid of it, because that is him.
So one last point on making things your own, when making a show. Remember, it is not just magic, it is timing music and dance. Pick your favorite routine to perform (preferably a stage routine), and do it with the music playing that you would normally use. Then, use a different style of music, that still sort of applies to the routine, even though it is much different. You will notice that it is a completely different mood, so find the mood that best suits you and your magic. Then with the dance, as a magician, you know you have to move around and 'flow' with your magic, make yourself believable.
A lot of you are probably confused at this title. When I say becoming a heckler, I do not mean heckling other magicians, I mean heckling yourself! Yes, before you start performing a routine, or during a performance, you need to have some thoughts to improve your performance.
So, get yourself in the mind of a heckler and criticise your moves (either when practicing or watching a video of yourself). Say "Hey, why does my hand have to look awkward like that, or why is my position so uncomfortable and unnatural, why are my hands in that position. Hey, why does it look weird when I turn over the top card." It could be simple stuff or complicated.
People on the forums often ask "How do I deal with Hecklers?....What are good tricks to fool hecklers....and so on. People think they have all these heckler-proof magic tricks. Which yes, might fool hecklers, because it is so unreal. But any trick, of any difficulty can fool hecklers, just practice, and heckle yourself, that way you will know how to perform the trick properly in front of a heckler, so he won't catch anything, because you already heckled yourself to making it natural, and believable.
So how to fool hecklers? Simple - practice!
To finish, I would like to quote Guy Forsyth: "The trick is to combine your waking, rational abilities, with the infinite possibilities of your dreams. Because if you can do that, you can do anything."
PRINCE VInay
bhagirath dev ki jay
Friday, February 12, 2010
How To Master Professional Magic Tricks In 4 Easy Steps
Anyone can perform professional magic tricks; all it takes is courage and commitment. Most magicians can truthfully say that the majority of tricks in their bag are relatively easy to perform, yet the real work is done offstage with hours of practice. Many professional magic tricks are based on scientific principles, and learning what makes them work goes a long way in making a better performance.
Whether you want to make a lasting name for yourself, or if you just want to be the life of the next party, here are a few keys tips to developing a set of professional magic tricks.
1) Learn Each Trick Completely
If you are a beginner, learn simple tricks first. The procedures for doing magic tricks can be found online or even in books from your local library. Even though tricks may be classified as easy, study and memorize every step. This will be good training for you when you advance to more difficult tricks. Get into the habit of learning each trick completely; this is a good first step to performing professional quality magic tricks.
2) Practice Makes Perfect
Sometimes, practicing is the hardest part. We all want to immediately work in front of an audience to hear their applause and gasps of wonder. But to get the accolades, you must first do the time. Practice your magic tricks before a mirror, or videotape yourself for a play by play account. Practicing is never a waste of time.
Each minute brings you closer to your goal of performing professional magic tricks. When you watch your performance, either in a mirror or on videotape, you can spot any mistakes or actions that should be corrected. Practicing is the best way to progress.
3) Zero in on Details
Once you get the hang of a few tricks and understand the basics of magic, you may think you can relax a bit. Not so. Magic tricks, even the simple ones, have details that can't be overlooked.
Every magician knows that their entire performance may hinge on the smallest of details. Never look for a shortcut; there are none in magic. Professional magic tricks succeed because the magician considers every step and detail to be equally important.
4) Simplicity Equals Success
Here is an amazing and totally true thought: Most magic tricks are incredibly simple. Of course, professionals want their magic tricks to confound and astound, but the reality is that these illusions are based on easy to learn principles. Sometimes, most of the magic is in the magician's performance, rather than the trick itself. Many tricks that are currently seen in shows today are actually hundreds of years old. This testifies to the magician's everlasting ability to entertain and to the audience's never ceasing wonder.
To perform professional magic tricks, first develop a professional attitude and then practice until your skills are of professional quality. Remember that a professional is merely someone who has studied and mastered his subject. In the case of magic, anyone can reach this level with a determined commitment and a desire to be the best they can be. Before going onstage, repeatedly practice your act offstage. And then listen to the applause that you will conjure up!
Whether you want to make a lasting name for yourself, or if you just want to be the life of the next party, here are a few keys tips to developing a set of professional magic tricks.
1) Learn Each Trick Completely
If you are a beginner, learn simple tricks first. The procedures for doing magic tricks can be found online or even in books from your local library. Even though tricks may be classified as easy, study and memorize every step. This will be good training for you when you advance to more difficult tricks. Get into the habit of learning each trick completely; this is a good first step to performing professional quality magic tricks.
2) Practice Makes Perfect
Sometimes, practicing is the hardest part. We all want to immediately work in front of an audience to hear their applause and gasps of wonder. But to get the accolades, you must first do the time. Practice your magic tricks before a mirror, or videotape yourself for a play by play account. Practicing is never a waste of time.
Each minute brings you closer to your goal of performing professional magic tricks. When you watch your performance, either in a mirror or on videotape, you can spot any mistakes or actions that should be corrected. Practicing is the best way to progress.
3) Zero in on Details
Once you get the hang of a few tricks and understand the basics of magic, you may think you can relax a bit. Not so. Magic tricks, even the simple ones, have details that can't be overlooked.
Every magician knows that their entire performance may hinge on the smallest of details. Never look for a shortcut; there are none in magic. Professional magic tricks succeed because the magician considers every step and detail to be equally important.
4) Simplicity Equals Success
Here is an amazing and totally true thought: Most magic tricks are incredibly simple. Of course, professionals want their magic tricks to confound and astound, but the reality is that these illusions are based on easy to learn principles. Sometimes, most of the magic is in the magician's performance, rather than the trick itself. Many tricks that are currently seen in shows today are actually hundreds of years old. This testifies to the magician's everlasting ability to entertain and to the audience's never ceasing wonder.
To perform professional magic tricks, first develop a professional attitude and then practice until your skills are of professional quality. Remember that a professional is merely someone who has studied and mastered his subject. In the case of magic, anyone can reach this level with a determined commitment and a desire to be the best they can be. Before going onstage, repeatedly practice your act offstage. And then listen to the applause that you will conjure up!
Learn Magic In A Snap
A child's life is not complete without magic. The supernatural act has been known to humans since early 1400's and has been used as a ploy for thieves to make victims out of the magician's audience. Nowadays, magic has been extraordinarily brought to streets with the likes of Criss Angel and David Blaine. What better to way to enjoy this performance, than to learn magic yourself!
Lay Your Cards on the Table
It is best to know where to go and who to ask for help. The first step in order to learn magic is getting your resources straight. A great way to start is to find your local magic shop that sells props or equipments that would aid your performance. More often than not, each tool would come with a handy instruction guide on how to use it more effectively with your chosen audience. You may also opt to seek advice from storeowners as they best know the tricks each product holds.
There are also books that hold collections of simple magic tricks that can be done at home or out on the streets. And as always, classes are also available in the World Wide Web that can suit lessons for a toddler to a senior citizen. In your quest to purchase the right prop to use and how to use it, you will surely learn magic in different places.
Performance is the Key
To learn magic quickly and easily, one must also have the basic knowledge of entertaining an audience. An essential part of this mystical feat is not to hold your viewer's attention to whatever is in your hand. You have to look at them straight in the eye and divert their attention to the questions you ask. This would then allow your hand to move more freely and create that seemingly impossible illusion that would make their jaws drop.
Another way to entertain your audience is by making them laugh. When we laugh, we do not pay much attention to what is happening and there are greater chances for you to do unnoticeable gestures. This misdirection would lead to your observers thinking that the ball did disappear or the rabbit did materialize out of the hat.
'Kid'ding Around
As a child, we easily get upset by things we couldn't do. When the sandcastle's roof falls apart, we end up destroying everything out of frustration. When we learn magic, there would be times that we would fail. At this time, you may choose to give up or to learn from your mistake. The latter would always be more fulfilling.
The fruit of performing magic is not in the knowledge that you are powerful and that you hold your spectator's trust, but it is in finding the joy in little things. You have to take your viewers to a place that they've never been before, and this can only be achieved by practice and perseverance. Without the two, there are more chances that the trick will not work.
Lastly, remember to involve your audience. What makes a great magician is not how big his audience is, but how in tune they are to him.
Lay Your Cards on the Table
It is best to know where to go and who to ask for help. The first step in order to learn magic is getting your resources straight. A great way to start is to find your local magic shop that sells props or equipments that would aid your performance. More often than not, each tool would come with a handy instruction guide on how to use it more effectively with your chosen audience. You may also opt to seek advice from storeowners as they best know the tricks each product holds.
There are also books that hold collections of simple magic tricks that can be done at home or out on the streets. And as always, classes are also available in the World Wide Web that can suit lessons for a toddler to a senior citizen. In your quest to purchase the right prop to use and how to use it, you will surely learn magic in different places.
Performance is the Key
To learn magic quickly and easily, one must also have the basic knowledge of entertaining an audience. An essential part of this mystical feat is not to hold your viewer's attention to whatever is in your hand. You have to look at them straight in the eye and divert their attention to the questions you ask. This would then allow your hand to move more freely and create that seemingly impossible illusion that would make their jaws drop.
Another way to entertain your audience is by making them laugh. When we laugh, we do not pay much attention to what is happening and there are greater chances for you to do unnoticeable gestures. This misdirection would lead to your observers thinking that the ball did disappear or the rabbit did materialize out of the hat.
'Kid'ding Around
As a child, we easily get upset by things we couldn't do. When the sandcastle's roof falls apart, we end up destroying everything out of frustration. When we learn magic, there would be times that we would fail. At this time, you may choose to give up or to learn from your mistake. The latter would always be more fulfilling.
The fruit of performing magic is not in the knowledge that you are powerful and that you hold your spectator's trust, but it is in finding the joy in little things. You have to take your viewers to a place that they've never been before, and this can only be achieved by practice and perseverance. Without the two, there are more chances that the trick will not work.
Lastly, remember to involve your audience. What makes a great magician is not how big his audience is, but how in tune they are to him.
Easy Magic Should Be Secret!
When you watch a magician perform a trick, live or on TV, you know (or suspect) that it is not really magic. You know it is some kind of trick, but you can?t for the life of you figure it out.
Often a simple and easy magic trick, performed on the street, can be more amazing that a slick show on TV.
You can check the set-up, there is no chance of anything hidden happen where the camera is not looking.
This makes it possible to impress and astound your friend!. When a street magician makes the impossible seem real, you are close to him. Since you can look at everything, and walk around him, you think you can see there's no hidden trap doors or cabinets, for example.
It seems impossible not to have his magic tricks revealed simply by looking!
You can do the same. The hidden secret to a magical trick is this - it is the magician himself!
The absolute majority of magic tricks have been practised for a very long time, sometimes they are so old no-one knows when they first were done. And when a trick - a card trick, for example, or a coin trick, is analyzed in detail - the trick itself is usually not complicated at all.
The secret lies in how the performer - you! - do it! The presentation of the trick is what makes it baffling.
For example, you can ask the audience to name a number, and you pull out a card from the bottom of the deck, one at a time, until you come to the number that has been said, and then you pull out an ace! And that happens no matter what number is named.
The secret is ever so simple - the ace should be at the bottom of the cards, held by your little finger. You will naturally need to practise this. To have your magic tricks revealed by mistake, because you are clumsy and drop the card, is not very magical ...
Equally important is to distract the attention of the audience slightly -just by talking you can keep their attention off the pack and stop them from trying to analyze your movements.
It appears to work in the same way as when you drive a car and use a mobile phone at the same time. It has been proven that people react slower.
It seems that your brain focuses effectively on one thing at a time, and this is what you can utilise to amaze your friends.
But remember - magic tricks revealed lose their magic! Keep them secret and only ever discuss them with other magicians!
Often a simple and easy magic trick, performed on the street, can be more amazing that a slick show on TV.
You can check the set-up, there is no chance of anything hidden happen where the camera is not looking.
This makes it possible to impress and astound your friend!. When a street magician makes the impossible seem real, you are close to him. Since you can look at everything, and walk around him, you think you can see there's no hidden trap doors or cabinets, for example.
It seems impossible not to have his magic tricks revealed simply by looking!
You can do the same. The hidden secret to a magical trick is this - it is the magician himself!
The absolute majority of magic tricks have been practised for a very long time, sometimes they are so old no-one knows when they first were done. And when a trick - a card trick, for example, or a coin trick, is analyzed in detail - the trick itself is usually not complicated at all.
The secret lies in how the performer - you! - do it! The presentation of the trick is what makes it baffling.
For example, you can ask the audience to name a number, and you pull out a card from the bottom of the deck, one at a time, until you come to the number that has been said, and then you pull out an ace! And that happens no matter what number is named.
The secret is ever so simple - the ace should be at the bottom of the cards, held by your little finger. You will naturally need to practise this. To have your magic tricks revealed by mistake, because you are clumsy and drop the card, is not very magical ...
Equally important is to distract the attention of the audience slightly -just by talking you can keep their attention off the pack and stop them from trying to analyze your movements.
It appears to work in the same way as when you drive a car and use a mobile phone at the same time. It has been proven that people react slower.
It seems that your brain focuses effectively on one thing at a time, and this is what you can utilise to amaze your friends.
But remember - magic tricks revealed lose their magic! Keep them secret and only ever discuss them with other magicians!
Sunday, January 17, 2010
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Wednesday, January 13, 2010
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Sunday, January 3, 2010
Upendra magician
Upendra Thakur has performed magic shows at:
| Formal & Informal Shows |
| Corporate Launching Corporate Parties Promotion Events Road Shows Hotels & Schools Birthday Parties Marriages & Other Ceremonies |
His sense of humors says that Magic is an art which means: -
| M ----- MYSTERY A ----- AMUSEMENT G------GALLORY I--------ILLUSION C------CHALLENGE |
Upendra Thakur has sound educational background which acts as catalyst while showing his magical arts. He is a graduate in History with Hon. He combines his educational and theatrical background effectively to spell his magical tricks on the audience.
If you are going to organize a party with a wish to make it extraordinary for your honorable and the dearest guests, don’t ever forget to include a magic show by Upendera Thakur. So enjoy his magical art and spend some thrilling moments with him in his magical world.
P.C.Sarkar
Magician P. C. Sorcar (Junior) is the living legend of Indian Magic. He is "BANGAL-KA-JADU" personified and is what "Magic of India" means today.
He comes from the famous SORCAR family of HINDU-MAGICIANS, and this family of "MAGICIANS" or "WONDER-WORKERS", are popular in this field atleast for EIGHT GENERATIONS. Each generation contributed its share of mysticism through centuries and thus have become a house-hold name and are romantically associated with Indian Folk-tales, Fables Literature and Facts. To an average Indian, SORCAR and MAGIC are synonymous.
It is P.C.SORCAR(Senior), father of P.C.SORCAR(Junior), who popularised their family art of "MAGIC" beyond the boundaries of India elevating the presentations to a more prestigious pedestal of theatrical form of International standard, keeping the Indian traditions as the central motif. He gave a new lease of life to the dying art and thus is recognised as "THE FATHER OF INDIAN MAGIC".
P.C.SORCAR(Junior) elevated the status of magic further more from the position where his father left it, to this futuristic mystery-spectacular-entertainment show for the intellectuals, successfully competing with the other forms of theatrical shows. He has added modern techniques, surrealistic sequences, third dimensional choreography, mixture of rustic, tradition and modern music, classical dance along with the intellectual-illusions created by psychological directions, superb technical and mechanical instruments along with his super showmanship and personality.P.C.SORCAR(Junior) is the professional stage name of PRODIP CHANDRA SORCAR. Prodip is the second son of the late P.C.SORCAR,Senior (Pratul Chandra Sorcar), Padmashree, the Father of Indian Magic and was declared by his father as his successor. Both his elder brother, Prafullaand his younger brother Provas Chandra, have also learnt conjuring from their father. "Ours is a family of magicians . . . and performing magic is our birthright. Even the cat in our house is a magician", says P. C. Sorcar Junior.
But it is in him that the inherited art has borne most fruit, spanning the entire world, and giving fresh life to a once neglected art. P. C. Sorcar's mother is Mrs. Basanti Sorcar, a noted philanthropist , who has been a source of courage and inspiration to her son. Coming from a family with a great respect for education, P.C.Sorcar Junior is a double graduate in both Arts and Science and has an M.Sc degree in Applied Psychology from the University of Calcutta
P.C. Sorcar Junior married Jayashree, daughter of , Sri Aroon Kumar Ghosh and Smt. Nilima Devi on May 22, 1972. Her beauty and talents have since lent wondrous support to P. C. Sorcar Junior's performances. As a costume designer or choreographer, or as the beautiful damsel who levitates, disappears, is cut into halves or stretched, Jayashree is a vital part of both, the magician's life and career.
The Present:
The couple have three daughters, Maneka, Moubani and Mumtaz. "My daughters make my art alive", says Prodip Chandra, the family man, who travels with his daughters whenever he can, on his tours. It is inevitable that the three girls show the charm and talent of their parents. They are completing their education, but the ' magnetic field of magic' in which they have been brought up has made them begin to share the stage with their parents occasionally. At least one of them is destined to become a magician, because as P. C. Sorcar Junior says "The Goddess of Magic, Mahamaya Durga wants at least one lady magician like Queen Bhanumati in our family".
Inheritance Made AliveP.C.Sorcar Junior's development as a magician is a continuation of the tradition that made his father his 'guru' or teacher. He began performing in his teens, when he was still in school, forming a group of his own, and presenting some of his own inventive items. His father was so happy with his development that he announced to the World that his 'magical successor' would be his son Prodip Chandra.
In early 1971, Sorcar Jr. had just finished his M.Sc. final examinations, while his father was away in Japan on a tour. At the end of a show at the City Hall of Shibetsu, wherein P.C.Sorcar had declared that it would be his last performance, but the show would go on even if he were to die, he suffered a massive heart attack, and before breathing his last, expressed the wish that his son Prodip should continue his engagements. His death on January 6, 1971 propelled P.C.Sorcar Junior immediately on to the international stage. The disciple son did not even have the time to indulge his grief. When his father was being cremated in Calcutta, he was on stage for his first show in Sapporro, North Japan.
But all those who doubted whether the son would be able to match his father were silenced by the sheer talent, rich presentation, and flamboyant performance of P.C.Sorcar Junior. Today the master magician has set the highest standards, scaling ever new heights. But his acknowledgment of the tradition represented by his father and other ancestors is ever present. "Even in the way I call myself, I never refer to myself except as P.C.Sorcar Junior, to remind myself and others, that there was a Senior", says the caring son.
